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SebastienZunino.com: The Interactive Platform of the Guitarist.

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This site is specially designed to make you not only a better Guitarist but especially a better Musician.

 

Hundreds of interactive videos, hundreds of exercises, pdf resources, diagrams, a continuous update to offer you more and more videos.

 

Sebastien Zunino's Guitar School subscription is based on 10 fundamental modules to offer you a complete training, adapted to all the styles of music, and which allows you to obtain results quickly for the one who works his instrument .

The Guitar School, for whom? Why ?

ATTENTION : All the videos are in french for the moment !

 

You want to progress on the guitar, improve your sense of rhythm, know your sleeve, become a seasoned reader, master your scales, your chords, acquire a technique of super warrior ...

You are motivated, the work and the practice of your instrument does not give you cold in the back ... You are conscientious and demanding with yourself. You have musical or guitaristic objectives. You have time to spend weekly on your instrument.

So the training is for you!

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Not recommended for those who believe that by watching a video their fingers will have understood everything, the unmotivated, the breakaways, slackers, etc ...

Howtopractice 1

- How to practice arpeggios & triads on your guitar

Hello everyone, I'm happy to meet you here for this reflection on the use of arpeggios and triads in improvisation.

How to use arpeggios and triads positions to improvise ?

That's the big question ... I think we all find ourselves learning our positions and trying to improvise ... and that's the drama ... It seems like nothing works, we do the same things all the time, we go round and round, we re-engage the distorsion and we play the same things because we have fun!

This is quite legitimate because the guitar is made to be for pleasure.

In this video I will try to give you some tracks to practice triads and arpeggios but especially to make music with.

This is, of course, only a tiny sample of what can be done. In addition, I invite you to create your own exercises.

The most important thing is to give you some tips for adding phrases to your music.

Continue reading

 
 

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